![]() ![]() My understanding of the problem is the transcoding to ProRes where the levels within ProRes are assumed to be video levels (64 to 940) and when you bring that file back into Resolve, Resolve misinterprets the levels at video (based on the default 'auto' setting in the clip attributes). Carefully selected defaults mean you're up and running in no time. Get the best results without a complicated setup. Since Resolve usually understands that the HVEC from Canon is recorded at Full range, things are fine bringing that footage in (I'm assuming your recorded in a color space of either Cinema Gamut or BT.2020 but that doesn't matter for this discussion from what I understand). Crafted transcoding & color science Transcode and re-wrap footage into high quality editable formats. MOV, MP4 and MXF media can all be quickly converted to edit ready quicktime movies in ProRes or DNxHD. EditReady provides easy, fast and powerful transcoding for video professionals, without an overwhelming interface or outdated format choices. Improved memory use during BlackMagic Raw to H264/265 transcodes. EditReady - 2.5.2 - Simple and fast transcode for various media formats. ![]() Fixed failed transcodes of interlaced footage to ProRes on m1 Pro/Ultra. Your images show values that could well be above 940 in the original source. Fixed bad transcode progress on some ARRI ProRes MFX clips. The Canon HVEC CLog3 (which is 10-bit 4:2:2) will be recording at full video levels (0 to 1023) whereas the transcode software may assume that the levels are legal (64 - 940) and so anything above 940 or below 64 would get clipped. I chose to show histogram instead of scopes just because the differences are easier to see). The extreme clipping on the right is a little hard to see. (first histogram is original image, second is the worst using Compressor, though DR and EditReady were not far behind. Any thoughts would be greatly appreciated!!!! I'm on a Mac with the latest version of DR Studio. But was trying to find a simple route to avoid transcoding. In the future i’ll almost certainly transcode before editing. I'll post two histograms below as an example of the changes within identical frames caused by transcoding. restlesspix editready Thanks Jamie, i have edit ready trial along with assimilate scratch trial to see which give the best output. ![]() This is without any adjustments I'm aware of the only action is a transcode from HEVC to PR 422HQ. Compressor is the worst-can't bring anything clipped back at all. Resolve's transcode clips but, oddly, you can bring the peaks back in by lowering the gain (but still lose the log look and presumably the DR). And they all change the footage differently. ME is much better than the others but there is still a little shift of the histogram or scopes. All of except Media Encoder act as if they jettison the LOG setting and increase mostly contrast, maybe with a little gamma change. I've tried DR Media Management, Compressor, EditReady, and Media Encoder. H265 HEVC, 4K (fine) with a Canon R5 in Clog3 and I'm having terrible problems transcoding to PR 422HQ. And EditReady is designed with the future in mind – it’s ready to adopt new formats and workflows.I recently shot my first interview in. It leverages hardware accelerated video decoding, OpenCL image processing, and every CPU cycle your system has to spare. Modern, Blazing Fast, Ready for the Future – EditReady is designed to take advantage of all of the power available on modern Macs.You can even use metadata to generate filenames for your transcoded files. Manually add location data if your camera didn’t store it, or set a reel name for all of your files. Modern cameras store GPS data, lens settings, diagnostic data, and more. Smart Metadata Editing – EditReady provides a rich metadata viewer and editor.EditReady also allows you to override the framerate on your converted files, for pristine slow-motion with your 60p or 120p footage. You can apply LUTs to your video during conversion to set a specific look or convert your Log footage into Linear. EditReady provides easy, fast and powerful transcoding for video professionals, without an overwhelming interface or outdated format choices. More than just transcoding – In addition to transcoding to professional formats like ProRes, DNxHD, and H.264, EditReady makes it easy to prep your footage for screening and editing. You can now add more files if you want and press ‘Use Previous Folder & Settings’ to transcode more footage into the same folder with the same settings.EditReadyprovides easy, fast and powerful transcoding for video professionals, without an overwhelming interface or outdated format choices. ![]()
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